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Introduction

The Library of the Palais Bourbon in Paris

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays. Within this broader definition, literature includes non-fictional books, articles, or other written information on a particular subject. (Full article...)

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Selected work

Featured articles are displayed here, which represent some of the best content on English Wikipedia.
Cover of Coral Island form an 1893 printing
The Coral Island: A Tale of the Pacific Ocean is a novel written in 1858 by Scottish author R. M. Ballantyne. One of the first works of juvenile fiction to feature exclusively juvenile heroes, the story relates the adventures of three boys marooned on a South Pacific island, the only survivors of a shipwreck.

A typical Robinsonade – a genre of fiction inspired by Daniel Defoe's Robinson Crusoe – and one of the most popular of its type, the book first went on sale in late 1857 and has never been out of print. Among the novel's major themes are the civilising effect of Christianity, 19th-century British imperialism in the South Pacific, and the importance of hierarchy and leadership. It was the inspiration for William Golding's 1954 dystopian novel Lord of the Flies, which inverted the morality of The Coral Island; in Ballantyne's story the children encounter evil, but in Lord of the Flies evil is within them.

The novel was considered a classic for elementary-school children of the early 20th century in Britain, and in the United States it was a staple of suggested reading lists for high-school students. Modern critics consider The Coral Island to feature a dated imperialist view of the world, but although it is less popular today than it once was, it was adapted into a four-part children's television drama broadcast by ITV in 2000.

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  • Image 1 Cabinet card of W. S. Gilbert in about 1880 by Elliott & Fry Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond. Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers. (Full article...)
    Gilbert posing, looking toward the camera
    Cabinet card of W. S. Gilbert in about 1880 by Elliott & Fry



    Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.

    Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers. (Full article...)
  • Image 2 Amir Hamzah, c. 1928–1937 Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave. Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)

    Amir Hamzah, c. 1928–1937

    Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave.

    Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)
  • Image 3 Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence. Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)

    Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood

    Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.

    Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)
  • Image 4 Achebe in Lagos, 1966 Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbeɪ/ ⓘ; born Albert Chinụalụmọgụ Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). Achebe is often referred to as the "father of modern African literature", although he vigorously rejected the characterization. Born in Ogidi, Colonial Nigeria, Achebe's childhood was influenced by both Igbo traditional culture and colonial Christianity. He excelled in school and attended what is now the University of Ibadan, where he became fiercely critical of how Western literature depicted Africa. Moving to Lagos after graduation, he worked for the Nigerian Broadcasting Service (NBS) and garnered international attention for his 1958 novel Things Fall Apart. In less than 10 years he would publish four further novels through the publisher Heinemann, with whom he began the Heinemann African Writers Series and galvanized the careers of African writers, such as Ngũgĩ wa Thiong'o and Flora Nwapa. (Full article...)

    Achebe in Lagos, 1966

    Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbeɪ/ ⓘ; born Albert Chinụalụmọgụ Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). Achebe is often referred to as the "father of modern African literature", although he vigorously rejected the characterization.

    Born in Ogidi, Colonial Nigeria, Achebe's childhood was influenced by both Igbo traditional culture and colonial Christianity. He excelled in school and attended what is now the University of Ibadan, where he became fiercely critical of how Western literature depicted Africa. Moving to Lagos after graduation, he worked for the Nigerian Broadcasting Service (NBS) and garnered international attention for his 1958 novel Things Fall Apart. In less than 10 years he would publish four further novels through the publisher Heinemann, with whom he began the Heinemann African Writers Series and galvanized the careers of African writers, such as Ngũgĩ wa Thiong'o and Flora Nwapa. (Full article...)
  • Image 5 Andrade in 1928 Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)

    Andrade in 1928

    Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.

    Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)
  • Image 6 Revised daguerreotype taken in 1842 Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)

    Revised daguerreotype taken in 1842

    Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.

    Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)
  • Image 7 Robert Marshall (January 2, 1901 – November 11, 1939) was an American forester, writer and wilderness activist who is best remembered as the person who spearheaded the 1935 founding of the Wilderness Society in the United States. Marshall developed a love for the outdoors as a young child. He was an avid hiker and climber who visited the Adirondack Mountains frequently during his youth, ultimately becoming one of the first Adirondack Forty-Sixers. He also traveled to the Brooks Range of the far northern Alaskan wilderness. He wrote numerous articles and books about his travels, including the bestselling 1933 book Arctic Village. A scientist with a PhD in plant physiology, Marshall became independently wealthy after the death of his father in 1929. He had started his outdoor career in 1925 as forester with the U.S. Forest Service. He used his financial independence for expeditions to Alaska and other wilderness areas. Later he held two significant public appointed posts: chief of forestry in the Bureau of Indian Affairs, from 1933 to 1937, and head of recreation management in the Forest Service, from 1937 to 1939, both during the administration of President Franklin D. Roosevelt. During this period, he directed the promulgation of regulations to preserve large areas of roadless land that were under federal management. Many years after his death, some of those areas were permanently protected from development, exploitation, and mechanization with the passage of the Wilderness Act of 1964. (Full article...)

    Robert Marshall (January 2, 1901 – November 11, 1939) was an American forester, writer and wilderness activist who is best remembered as the person who spearheaded the 1935 founding of the Wilderness Society in the United States. Marshall developed a love for the outdoors as a young child. He was an avid hiker and climber who visited the Adirondack Mountains frequently during his youth, ultimately becoming one of the first Adirondack Forty-Sixers. He also traveled to the Brooks Range of the far northern Alaskan wilderness. He wrote numerous articles and books about his travels, including the bestselling 1933 book Arctic Village.

    A scientist with a PhD in plant physiology, Marshall became independently wealthy after the death of his father in 1929. He had started his outdoor career in 1925 as forester with the U.S. Forest Service. He used his financial independence for expeditions to Alaska and other wilderness areas. Later he held two significant public appointed posts: chief of forestry in the Bureau of Indian Affairs, from 1933 to 1937, and head of recreation management in the Forest Service, from 1937 to 1939, both during the administration of President Franklin D. Roosevelt. During this period, he directed the promulgation of regulations to preserve large areas of roadless land that were under federal management. Many years after his death, some of those areas were permanently protected from development, exploitation, and mechanization with the passage of the Wilderness Act of 1964. (Full article...)
  • Image 8 17th-century depiction of Murasaki by Tosa Mitsuoki Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
    Japanese woman in multi-layered clothing writing at a desk
    17th-century depiction of Murasaki by Tosa Mitsuoki

    Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

    Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
  • Image 9 Wollstonecraft c. 1797 Mary Wollstonecraft (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; 27 April 1759 – 10 September 1797) was an English writer and philosopher best known for her advocacy of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional (at the time) personal relationships, received more attention than her writing. Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appeared to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)

    Wollstonecraft c. 1797

    Mary Wollstonecraft (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; 27 April 1759 – 10 September 1797) was an English writer and philosopher best known for her advocacy of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional (at the time) personal relationships, received more attention than her writing. Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences.

    During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appeared to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)
  • Image 10 Vargas Llosa in 1988 Jorge Mario Pedro Vargas Llosa, 1st Marquess of Vargas Llosa (28 March 1936 – 13 April 2025), more commonly known as Mario Vargas Llosa, was a Peruvian novelist, journalist, essayist, and politician. Vargas Llosa was one of the most significant Latin American novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a more substantial international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature for "his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat". Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversación en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 Rómulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world. (Full article...)

    Vargas Llosa in 1988

    Jorge Mario Pedro Vargas Llosa, 1st Marquess of Vargas Llosa (28 March 1936 – 13 April 2025), more commonly known as Mario Vargas Llosa, was a Peruvian novelist, journalist, essayist, and politician. Vargas Llosa was one of the most significant Latin American novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a more substantial international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature for "his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat".

    Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversación en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 Rómulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world. (Full article...)
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Miscellanies
Nicknames in literature
Occupations in literature
Oral literature
People in literature
Postcolonial literature
Professorships in literature
Quotations from literature
References in literary works
Self-portraiture
Stylistics
Unfinished literature
Versions of literary works
Wikipedia categories named after texts
Works about literature
Works based on literature
Literature stubs
Wikipedia categories named after literary texts
Portals related to literature
Concepts:
Genres:
Religions:

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WikiProjects related to literature:

Concepts: Biographies · Books · Comics · Magazines · Manga · Novels · Poetry · Short stories · Translation studies
Genres: Alternate history · Children's literature · Crime · Fantasy · Horror · Mythology · Romance · Science fiction
Authors: Honoré de Balzac · Roald Dahl · William Shakespeare
Series: Artemis Fowl · Chronicles of Narnia · Discworld · Harry Potter · His Dark Materials · Hitchhiker's Guide to the Galaxy · Inheritance Cycle · James Bond · King Arthur · Middle-earth · Percy Jackson · Redwall · A Series of Unfortunate Events · Shannara · Sherlock Holmes · A Song of Ice and Fire · Star Wars · Sword of Truth · Twilight · Warriors · Water Margin · Wizard of Oz
Regions: Australian literature · Indian literature · Persian literature

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